about michaela anne
Full of lush, sweeping arrangements and honest, deeply vulnerable self-examination, ‘Desert Dove’ marks a bold new chapter for Michaela Anne, both artistically and professionally. While the songwriting is still very much rooted in the classic country she’s come to be known for, the record (her first for Yep Roc) represents something of a sonic shift, incorporating more modern production elements than ever before in pursuit of a sound that owes as much influence to indie rock as honky tonk. Despite the bolder, more adventurous arrangements, Michaela’s crystalline voice remains front and center on the album, a pure, airy beam of light shining bravely into the dark corners of loneliness, pain, and desire that we all so often to try to hide.
Produced jointly by Sam Outlaw and Delta Spirit’s Kelly Winrich and recorded with an all-star band that included guitarist Brian Whelan (Dwight Yoakam, Jim Lauderdale), fiddler Kristin Weber (Kacey Musgraves, Margo Price), and drummers Mark Stepro (Ben Kweller, Butch Walker) and Daniel Bailey (Everest, Father John Misty), ‘Desert Dove’ is an achingly beautiful collection, with songs that frequently find themselves balancing optimism and fatalism in the very same breath. There’s an undercurrent of yearning in Michaela’s music (the melancholy “Be Easy,” for instance, chases a peace of mind that never comes, while the breezy “Child Of The Wind” longs for connection and permanence in the face of perpetual itinerancy), as well as a fiercely feminine perspective that’s assured in its power and unapologetic in its candor. The prostitute of the title track challenges the traditional perception of women as a source of comfort and service for men (“You love them all the way they want and they need / But tell me who does your heart wish to please?” she asks), and the spirited “If I Wanted Your Opinion” offers up an all-purpose response to gendered condescension.
Michaela first began garnering national attention with the 2014 release of ‘Ease My Mind,’ an old-school collection hailed by The New York Times for its “plain-spoken songs of romantic regret and small-town longing” and named one of the year’s best country albums by The Village Voice. After a move from Brooklyn to Nashville, Michaela followed it up in 2016 with the similarly lauded ‘Bright Lights and the Fame,’ which featured guest appearances by Rodney Crowell and Punch Brother Noam Pikelny. NPR said Michaela “works through weepers and hits the honky-tonks as every great country singer should,” while Rolling Stone compared her to Linda Ronstadt and Emmylou Harris, and Vice Noisey praised her as the antidote to commercial pop country, calling her “our saving grace, our angel, the person who will help usher us into a new age.” Songs from the record landed on high profile Spotify playlists as well as the HBO series ‘Divorce,’ and the album earned Michaela slots at Bristol Rhythm & Roots, Merlefest, and both the US and UK iterations of AmericanaFest, along with a seemingly endless series of dates across the States and Europe with the likes of Mandolin Orange, Courtney Marie Andrews, Joe Pug, Ron Pope, and Sam Outlaw.
kind words about michaela anne
"Lovelorn resignation is true to the spirit of this album, a healthy dose of the new oldfangled country and Michaela Anne’s self-confident first statement since moving from Brooklyn to Nashville two years ago. A former military brat with a sweet, steady voice and a songwriter’s alert emotional intelligence, she’s a formalist but not inflexible — unbroken even when her songs run bleak or bittersweet, which is most of the time."
- The New York Times
"A collection of honky-tonkers and poignant ballads, the record evokes the country-rock sound of the Eagles and the emotional vocals of Linda Ronstadt and Emmylou Harris."
- Rolling Stone Country
"Michaela and Bright Lights ultimately display a lot of depth and diversity, with the melodies becoming more enriching with each listen, and her voice displaying incredible strength and emotion in moments, especially when she holds out notes in the higher register. Michaela Anne is more than just a pretty-faced firecracker in some vintage-inspired duds. There’s some really developed songwriting, structure, and themes here, while not forgetting to have a good time."
- Saving Country Music
"On her latest album, Bright Lights And The Fame, Michaela Anne works through weepers and hits the honky-tonks as every great country singer should. Song after song, her confidence and conviction shine through without casting a shadow on her craft. Rodney Crowell even makes a cameo appearance on "Luisa," further solidifying her dirt-road cred."
"Enter Michaela Anne, who has come out of nowhere as our saving grace, our angel, the person who will help usher us into a new age with her latest album Bright Lights and Fame."
- Noisey by Vice
"Since the release of her debut album To Know Where in 2011, Michaela Anne has been making people take notice. With introspective songwriting, Anne showed a propensity for vulnerable, true-to-life songs that revealed an artist poised to accomplish even more. And she has..On Bright Lights, Anne’s lyrical wit still takes front and center, but now, her songs are infused with a heavy dose of edge, moving seamlessly from honky-tonk barn-burners to personal ballads that seem straight from the pages of her diary. In many ways, the album is Anne’s way of welcoming listeners into her music, just as she was welcomed into Music City.
- The Boot, "2018 Artist to Watch"
“'Luisa' is an energetic highway rambler about hitchhiking to Sacramento. Bolstered by aggressive honky-tonk guitar, rich pedal steel, and a casually commanding lead vocal, it bodes well for Michaela’s upcoming Bright Lights And The Fame.”